Thursday, June 10, 2010

DAY 4

This morning we had our first Audition class with Joanne Denaut, casting director at South Coast Rep. She literally makes the casting decisions for every show at this theatre, so I was pretty nervous going in, obviously wanting to make a good impression. I'm so excited for this class, especially because I will be making the rounds of MFA auditions this academic year and need to be prepared for such potentially life-altering audition decisions. Just thinking about what monologue I should pick for my UCI audition makes me sweat, so it will be great have such an expert opinion about what to choose. She asked us all what we would do with our lives if acting was suddenly no longer an option, making the point that our other interests support our acting, and our acting supports our other interests. We all performed our monologues for her (my current one is from Equivocation by Bill Cain) and I am interested to see what she has to say about them tomorrow.

In our camera class, Scott gave us some scenes to try reading aloud to see if we are interested in working on them to eventually do on camera. We all read about two and all ended up picking the ones he originally suggested, of course. A few other women and I will be working on a scene from Girl, Interrupted which I have never seen but plan on reading over the weekend. Everyone was somewhat cast to type, and I got crazy girl. Of course!

In Karen's Rehearsal class, we did cold read auditions for Chekhov's The Three Sisters, which, naturally, of his most famous plays, is the one I'm completely unfamiliar with. We will be working on this play over the next four weeks, working through an entire rehearsal process without ever actually performing it. I read for Olga, at first way too quickly, and Karen had to slow me down. I later read again for Irina, and after doing one of her speeches, Karen told me that I read too naturalistically/modern/one-note-y. I completely agree that I need to work on that, and, as she puts it, "add more colors" to my vocal range onstage. We have callbacks on Monday, and will be coming back having read and researched the play with a character picked out and ready to show off.

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